The Art

Influenced by the real-life impact

Misfortune | Gagged | Transparency

All three pieces were created by an aspiring barrister caught by the career-ending ban on extensions to complete vocational training. Misfortune, Gagged, and Transparency are inspired by the first-hand experience of being subject to the ban, the search for understanding, and the discoveries made along the way.

No reuse without permission.


A handmade clay crystal ball blind-embossed with the uppercase text "this period cannot be extended under any circumstances". The ball is painted off-white and coated in clear varnish with very fine iridescent glitter. The ball is attached to a round-collared base painted glossy black. The photograph is taken outdoors in direct sunlight against the backdrop of a brick wall. The crystal ball is sat on a white surface casting a shadow behind it.
A handmade clay crystal ball blind-embossed with the uppercase text "this period cannot be extended under any circumstances". The ball is painted off-white and coated in clear varnish with very fine iridescent glitter. The ball is attached to a round-collared base painted glossy black. The photograph is taken outdoors in direct sunlight against the backdrop of a brick wall. The crystal ball is sat on a white surface casting a shadow behind it.
A multi-layered paper-cutting in a graphic style depicting a wide open mouth. Bordered by a beige, square background, a dark pink, wide-open mouth frames rows of white teeth and a pale pink heart-shaped tongue. The back of the throat is grey, cut out with an unruly, wavy edge. Each layer beneath descends deeper into an increasingly dark, chaotic, and tight void, until reaching a black hole. The photograph is taken outdoors in direct sunlight against the backdrop of a brick wall. The piece is sat on a lilac slatted table casting a shadow behind it.
A large sheet of parchment paper which has been blind debossed with uppercase text in a font similar used by typewriters. The translucency and lack of ink make the debossed text visible but illegible except at specific angles, under certain light, and on close inspection. The physical process of hand-debossing the fragile paper has created light crumpling and depressed areas, in addition to the texture created by each individual character.
A large sheet of parchment paper which has been blind debossed with uppercase text in a font similar used by typewriters. The translucency and lack of ink make the debossed text visible but illegible except at specific angles, under certain light, and on close inspection. The photograph and lighting are angled enabling some words to be deciphered. The physical process of hand-debossing the fragile paper has created light crumpling and depressed areas, in addition to the texture created by each individual character. The paper is pierced and lifted in places where debossing has gone through it.
A close-up photograph of a large sheet of parchment paper which has been blind debossed with uppercase text in a font similar used by typewriters. The translucency and lack of ink make the debossed text visible but illegible except at specific angles, under certain light, and on close inspection. The photograph and lighting are angled enabling the words to be deciphered. The physical process of hand-debossing the fragile paper has created light crumpling and depressed areas, in addition to the texture created by each individual character.
A close-up photograph of a large sheet of parchment paper which has been blind debossed with uppercase text in a font similar used by typewriters. The translucency and lack of ink make the debossed text visible but illegible except at specific angles, under certain light, and on close inspection. The photograph and lighting are angled enabling the words to be deciphered. The words 'TIME', 'MAXIMUM' and 'STALE' stand out.